Curtains hung "full" have a much,
well, fuller look. Instead of stretching the cloth tight, it is
partially bunched up on the pipe. In this photo, you can see the cloth
is tied at the end and then tied again at the center of the cloth. But,
it's not stretched. It's got a big sagging space in between. |
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Each time you tie another line up
to the pipe, you find the center of the sag and tie it up to the pipe;
in the middle of the open space. By the time you're done, you'll have a
curtain with lots of little curves built in. You may have figured out
that this full method takes a lot more cloth to cover the width of the
pipe. At least twice as much cloth. |
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This is a tab curtain. Tab
curtains can be made from either flat or full hung goods. This curtain
is "full." You can tell because of the waves. |
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When you pull on the line, the curtain opens from the center and pulls up at an angle. |
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You'll need several sets of rings to make this work smoothly. |
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Each ring is caught by the tie line as it gets pulled. |
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We needed a grand window upstage
center. But we needed it to come and go very quickly in a setting that
was very simple. So, if you take a good look at the curtain, you'll
notice a window pattern projected onto these long drapes. |
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To bring them on and take them off
stage quickly, we flew them up and down. The problem was that our
theater has NO fly space. In other words, we have no space above the
lighting pipes to fly things up-out of sight |
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As you can see, we ended up
lifting the curtain from the bottom, using black tie line that was run
through white rings sewn to the back of the curtain. |
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Here is a close-up of the weight
(a very large cable clamp) picking up one of the rings. As the tie line
is pulled up, the weight picks up each ring and "gathers" the cloth.
When it hits the batten at the top, it will lift that out of sight
lines as well. |
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These red curtains were rigged the same way as the white ones.These are a good example of a curtain hung "flat." |
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This photo shows the curtain in it's "out" position. |
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